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1269
薩南達(dá)羊毛古毯
產(chǎn)地：薩南達(dá)（波斯西北部）
年代：約1875年
材質(zhì)：羊毛、棉
尺寸：200×136 cm
AN ANTIQUE SENNEH WOOL RUG
Origin: Senneh, North West Persia
Age: circa 1875
Medium: Wool, Cotton
Size: 200×136 cm
RMB: 90,000－120,000
在波斯語中，“薩南達(dá)”即高貴東方地毯的意思。自18世紀(jì)沙哈納迪爾將薩南達(dá)設(shè)為庫德人的首府后，這個(gè)小鎮(zhèn)就在地毯界聲名遠(yuǎn)揚(yáng)。薩南達(dá)的織工們不僅掌握獨(dú)特的編織技藝，還不斷從周邊地區(qū)汲取經(jīng)驗(yàn)。幾個(gè)世紀(jì)以來，薩南達(dá)的地毯編織工藝代代相傳，并以其精細(xì)的繪圖與編結(jié)，寬廣和諧的用色，藝術(shù)性的構(gòu)圖而蜚聲遐邇。
這張獨(dú)特的薩南達(dá)地毯以駝毛色打底，圖案精細(xì)，空間布局合理，為薩南達(dá)手織毯的代表之作，保留了該地區(qū)獨(dú)特的美學(xué)元素，非常難得。藍(lán)色的中心葵和主邊界上都繪有優(yōu)美的赫拉提圖案，內(nèi)側(cè)的深藍(lán)色邊緣上寫有波斯語祝辭，原來，這條優(yōu)雅的地毯是一名年輕而憧憬幸福的女孩夢見婚禮后所編織的，中心葵上下兩端頗具藝術(shù)性的人面，表達(dá)了人們對她的祝福，可謂獨(dú)具匠心。從這條地毯中，我們也可以體會到波斯藝術(shù)中以書法入畫的特點(diǎn)，這一在波斯延續(xù)千年的藝術(shù)特色與中國傳統(tǒng)書畫有著異曲同工之妙。
此外，我們還注意到這張精美地毯的絨面非常薄，細(xì)密的編結(jié)工藝是薩南達(dá)手工毯的一大特點(diǎn)，這張古毯無疑是其中的代表之作。
This excellent Senneh although knotted on a cotton rather than silk foundation weave, this extremely fine Senneh with Camel Hair Colour background, with its exquisite patterning and distinctive open field proportions, represents the best type of the town's period weavings, from which few acceptably preserved items of aesthetic merit have survived. The four point pastel blue centre medallion is covered with beautiful dark blue Herati elements, decorated with artistic two human faces. The massive proportions of the corner pieces are admirably judged to counterbalance the scale of the medallion, while continuing the focal ornaments design and colour. The main border decorated with Herati design is in between two mirror borders and an extra slender border which has calligraphy of Persian words meaning congratulations. This excellent piece was woven by a young girl who dreamt of getting married, and that is also one of the reasons for the human faces in the rug which wishes congratulations to her. Interesting are the mirror borders which are different and decorated in different flowers, to give extra beauty to this lovely piece. This exquisite rug has a pile clipped to paper thin fragility, with the knotting as fine as the Senneh workshops could achieve.